ASD Winter School 2014
An intense week of Theatre Sound seminars
January 27-31st, 2014
Royal Central School of Speech and Drama, London
These seminars are open and free to all students and tutors, as well as all members of the ASD. You can register for any (or all) of the seminars individually using the links below.
ASD members may benefit from our travel assistance scheme
and receive money towards the cost of travelling to this event.
Monday, January 27th - Content Creation & Playback
12am Introduction by Gareth Fry
12.15 - 1.45pm Recording sound effects
Legendary sound designer John Leonard
goes through some of the tools and techniques to record sound effects for theatre, focusing on the practical problems of recording in the real world. As well as looking at conventional stereo techniques, John will demo parabolic microphones, ambisonics and surround sound recording techniques.
John Leonard started work in theatre sound almost 40 years ago, during which time he has provided soundtracks for theatres all over the world. He has written an acclaimed guide to theatre sound and is the recipient of Drama Desk and LDI Sound Designer Of The Year awards and is a Fellow of The Guildhall School of Music & Drama and an Honorary Fellow of The Hong Kong Academy of Performing Arts.
1.45 - 2.30pm Lunch
2.30 - 4.30pm CSC for Beginners
CSC is sound playback and show control software which has unique features that have been developed especially for use in musical theatre. West End musicals using CSC have included Top Hat, Cabaret, Starlight Express, Sister Act and Evita. It is also used on The Woman in Black and The Mousetrap. Lead programmer, Richard Carter
, walks through how to get started using the software.
Video interval: NI Reaktor
4.45 - 6.30pm How to Foley
Foley artist Tom Espiner
shows some of the tips of the trade, from simple solutions to create naturalistic effects, to more abstract foley techniques. He will be joined by sound designer Gareth Fry
to examine best methods of recording, amplifying and processing live and recorded fx.
Tuesday, January 28th - Radio Mics
10am - 1pm Introduction to RF
Shure’s Tuomo Tolonen
leads a seminar on how to achieve the best performance from your wireless microphones by understanding the technologies behind them:
- Overview and update on the current regulatory situation in the UK/EU.
- Basics of RF; what system is right for me? Intermods- what are they?
- Co-ordination - how to best setup your radio system from initial scans to antenna setup.
1 - 2pm Lunch
2 - 4pm Pin the Radio Mic on the Actor
Zoe Milton leads a practical demonstration of wireless mic dressing - how to hide them, dress them, colour them.
4 - 6pm Keeping the performers onside
Maintaining a good relationship with the performers is key to success, particularly on a musical. A panel of experts discuss their approaches to Vocal Foldback and the everyday politics of keeping an ensemble performing at their best. On the panel: sound designers Paul Groothuis
and Gareth Fry
, Wicked's sound HOD Hyder Khalil
and radio mic expert Zoe Milton
Wednesday, January 29th - Electro-Acoustics
10am - 1pm Fundamentals of Acoustics
Duran Audio's Nick Screen
leads this seminar introducing principals of room acoustics such as reflectivity, reverberation and inteligibility - looking at why two similar looking rooms can sound very different. The seminar will then look at how a single speaker's dispersion pattern effects how it will sound in a space - and the three key variables that define how good that speaker will sound. This seminar is perfect if you're an acoustics newbie!
1 - 1.45pm Lunch
1.45 - 3pm Line Array Theory
Using a range of experiments and examples, Steve Jones, from d&b audiotechnik
will demystify the principles of line arrays, leaving the attendee better equipped to use and deploy line arrays to their full potential.
3.15 - 6pm Delaying and balancing a sound system
Having chosen and installed a sound system, the next step is to make it sound good. Meyer Sound's Miguel Lourtie demonstrates techniques on optimising a sound system’s performance using delay, EQ... to get the most gain before feedback and optimal imaging.
6.30pm Pub Quiz
Thursday, January 30th - The future now
10-11.45pm Source Oriented Reinforcement
Outboard's Robin Whittaker and Dave Haydon
will explain and demonstrate the principles of SOR vocal localisation using the TiMax SoundHub delay-matrix and TiMax Tracker performer tracking system. Also outlined and demoed will be the system's TimeLine and PanSpace graphical sound effects and dynamic spatialisation programming interfaces and their integration with other showcontrol systems.
12 - 1pm Sound Walk with Carolyn Downing
1 - 2pm Lunch
2 - 4pm Beginner’s guide to Computer Networking Dom Bilkey
leads a seminar on computer networking, looking at the cables, connectors, switches and routers that can be used and explain the protocols that power them, and the problems that most commonly occur.
4.15 - 6pm Audio Networking
Increasingly we live in a world where everything connects together via a network cable. Yamaha lead this seminar on the various flavours of Audio Networking Protocols including Dante, AVB, Ethersound, and how best to implement them.
Friday, January 31st - Sound and beyond
10am - 12pm Music: Rights, Wrongs and Wherefores
The National Theatre's Head of Music, Matthew Scott
, looks at sourcing and using music, from the different periods of music and where to find what you're looking for, to the copyrights and permissions involved.
Book a free place for this seminar
12- 1.15pm DJ techniques
Dan Savidge will be introducing some of the basic DJ techniques for editing and re-mixing music such as beat-matching. Dan (aka Bad Zuke) has been a professional DJ and dance music producer for 18 years with headline gigs at Ministry of Sound London, Pacha Ibiza, Mokai Sao Paolo; headline tours of Brasil, Hong Kong and Thailand and UK Festival sets at Winterwell, Bestival and The Big Chill. Dan was also one half of The Jinks until 2011.
2 - 4pm Sound Education
A discussion led by Gregg Fisher
of what is being taught at different education establishments, with recent graduates talking about what they felt were the most useful skills they had when they entered the industry, and what they learnt on the job; and sound designers and production engineers talk about what they feel about the skills of people coming into the industry. On the panel:Gregg Fisher
(RCSSD), Gareth Evans
(LAMDA), Andrew Taylor
(GSMD), Tshari King
(RADA), Frank Bradley
(Bristol Old Vic), Jim Douglas
(Autograph), Adrienne Quartly
(SD) and Emily Legg
Terms and Conditions
Please note, the ASD reserves the right to make changes to the programme without prior notice. Such alterations may occasionally be necessary due to circumstances beyond our control.
All events will be filmed and photographed - your presence confirms your permission for the ASD to use any images or recordings of you in our publicity materials and seminar archive.
The ASD does not accept responsibility for anyone acting as a result of information or views expressed on its training courses including course material. Opinions expressed are those of individual trainers and not necessarily those of the ASD. Participants should take professional advice when dealing with specific situations.