Biog
Mark Melville is a composer and sound designer for theatre and film and trained at The Leeds Conservatoire.
Theatre includes: Confessions of a Shinagawa Monkey (Vanishing Point/Kanagawa Arts Theatre); The Fifth Step (National Theatre of Scotland); Steel (Theatre by the Lake); Midsummer, They Can’t Pay? We Won’t Pay! (Mercury Theatre); Kin (Gecko/National Theatre); The Greatest Play in the History of the World (Tara Finney Productions/West End); Flight (Vox Motus/Edinburgh International Festival/ Barbican); Romeo and Juliet, Frankenstein, Wit, Birth (Royal Exchange); Love the Sinner, The Metamorphosis (Vanishing Point); Human Animals, Violence, Son, God Bless the Child (Royal Court); The Snow Queen (Storyhouse); Exodus,The Panopticon, Yer Granny, Knives in Hens, Miracle Man, Empty, My Shrinking Life, Dragon (National Theatre of Scotland); Saturday Night (Vanishing Point/National Theatre of Portugal); Wonderland (Vanishing Point/Edinburgh International Festival/Napoli Teatro Festival Italia); Around the World in 80 Days (Bolton Octagon); Every Brilliant Thing, Guards at the Taj, The Children (Theatre by the Lake); Where Do We Belong, Where Do We Stand? ( Northern Stage); Little Gift, Nest, Pebble on the Beach (M6 Theatre / Andy Manley); Road (Leeds Playhouse); 1984 (Emilia Romagna Teatro, Italy); The Manchester Project (Monkeywood / HOME Manchester); Charlie Sonata (Lyceum, Edinburgh); The Destroyed Room (Vanishing Point / Battersea Arts Centre); Mister Holgado (Unicorn)
Mark Melville’s work has been exhibited at the V&A Museum in London, the Prague Quadrennial Theatre Design Festival and the British Design for Theatre Exhibition.
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