Dominic Bilkey

National Theatre


Member profile details

Membership level
Non-Commercial Organisation
First name
Last name
National Theatre
Mobile phone
07816 774423

Personal information

Primary Job title
Head of Sound & Video - National Theatre

Contact data


Additional information

Public Directory
  • Associate Sound Designer (With 5-25 Professional Credits)
  • Production Sound Engineer (With over 25 Professional Credits)
  • Sound Designer (With over 25 Professional Credits)
  • Sound Operator (With 5-25 Professional Credits)
What I'm working on at the moment
Peter Pan - Olivier Theatre 2016
Shadowlands - UK Tour 2016
Jane Eyre - UK Tour 2017
Dominic attended The Royal Welsh College of Music & Drama and after graduating began a busy career in Professional Sound for Theatre. He has toured extensively engineering and designing for Kneehigh Theatre among others. After 5 years as Head of Sound for the Young Vic and 3 years as Sound & Video Operations Manager in the Lyttelton he is now Head of Sound & Video for the National Theatre.
His Sound Design credits include “See How They Run” (Original Theatre), “Twelfth Night (Original Theatre), “After Troy” (Lifeblood Theatre), “Dancing At Lughnasa” (Original Theatre Company), “Masterclass” (Bath Theatre Royal), “Pandora” (Standing on the Shoulders of Giants), “Journey’s End” (Icarus / Original Theatre), “In The Solitude of Cotton Fields” (Young Vic) ‘The Space Between My Head & My Body’ (Gin in the Tea), “The Only Girl in the World” (Fractured Venus), ‘The Railway Children' (Sevenoaks Playhouse) ‘Carry On Down the River' (New Theatre Works) ‘Wagstaffe the Wind-up Boy' and ‘Rapunzel' (Kneehigh Theatre) and ‘Souterrain' - Cornwall (WildWorks)
Associate work includes “The Government Inspector” (The Young Vic), “A Voyage Round My Father” (Donmar Warehouse) and “The Hound of the Baskervilles” (Ian Fricker).
Areas you work in:
  • Theatre
  • Sound Effects Production
  • Live Music
  • Venue Staff

(c) Association of Sound Designers 2019

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